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笼中女【影视解说】

评分:
9.0

主演:Pam Grier   Jennifer Gan   Roberta Collins   Judith M. Brown 

状态:HD

更新:2024-07-24 10:30

影视解说 电影解说 美国 / 菲律宾1971

笼中女【影视解说】闪电在线
笼中女【影视解说】
笼中女【影视解说】

剧情简介

《笼中女【影视解说】》是Gerardo de Leon导演的作品,发行于1971年(美国 / 菲律宾),由Pam Grier , Jennifer Gan , Roberta Collins , Judith M. Brown等主演,西瓜影院为大家提供笼中女【影视解说】完整版免费在线观看,能在手机和电脑上流畅观看笼中女【影视解说】高清版(HD英语原声),同时还支持是手机投屏。
影视解说,电影解说笼中女【影视解说】讲述了: Carol Jeffries (known as 'Jeff') is a naive American woman staying in the Phillipines. She is given ten years in prison after being set up by her drug-dealer boyfriend, Rudy. She endures the harsh conditions, sadistic head matron and attempts on her life, then convinces her cell-mates to try to escape with her through the jungle, in spite of the knowledge that ruthless trackers will be sent out after them. ”  “ Legend has it that Sam Arkoff, head of American International Pictures saw a statuesque Grier at his company switchboard and cast her on the spot for her breakthrough hit Coffy. That, as they say, is bull shee-it. The former beauty queen made her film debut in 1970 as an extra in Russ Meyer's big breast bonanza Beyond The Valley Of The Dolls, and appeared in a number of B-pics shot in the Philippines the following year for AiP's rival company, Roger Corman's New World Pictures. Alongside her role as the tough-as-nails prostitute in Big Doll House were supports in the horror flick The Twilight People and as a topless hooker (again!) in Cool Breeze, then back behind bars for Women In Cages.  In Women In Cages, Grier plays the sadistic warden for once, a pot-smoking lesbian with a fully-equipped torture chamber (including a guillotine!). The 'New Fish' (a recent inmate, for you prison film novices), a ditzy blonde ex-stripper called Alabama, has taken the heroin possession rap for her pimp boyfriend. She knows too much, so the pimp blackmails her cellmates to execute her. A competent and well-shot entry in the tropical prison genre from Filipino director Gerry De Leon, it places the embittered ex-addict and prostitute Grier in the position of slave owner, watching her white charges toiling away in the plantation with obvious ironic glee.

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